Believe it or not (and you better believe it), until a few years ago, gay club music was a monolith, a Spandexed, Botoxed, over-toxed Easter Island rictus of fake-techno squeals and outrageous divas. There's nothing inherently wrong with that (except: yawn), and as far as such a thing called "gay club music" exists, the Gaga-Rihanna-Madonna industrial complex still reigns.... show more
Believe it or not (and you better believe it), until a few years ago, gay club music was a monolith, a Spandexed, Botoxed, over-toxed Easter Island rictus of fake-techno squeals and outrageous divas. There's nothing inherently wrong with that (except: yawn), and as far as such a thing called "gay club music" exists, the Gaga-Rihanna-Madonna industrial complex still reigns.
What's different now is the music available in the gay clubs, from punky no-wave, old-school vogue, and bathhouse chestnuts to Berlin minimal, nu-IDM, and space disco. Nobody's been more on the forefront of this youthful wave of change than Honey Soundsystem. The hyperactively crafty collective — currently composed of DJs Ken Vulsion, Pee Play, Josh Cheon, Robot Hustle, and Jason Kendig — hits a genre-busting musical sweet spot in its decades-spanning sets (Honey was formed in 2005 when Ken Vulsion, a veteran of the early '90s Manhattan club kid scene, heard Pee Play, then 19, throw down an Adam and the Ants reedit at Café Flor) that could rightly be called ahistoric if it wasn't so rooted in a conceptual sense of the gay past.
show less